His prose is spare yet precise in detail and minutiae. It captures not merely the lives of people living in the eponym of his collection, the former Indians-only township south of Durban, but the claustrophobia and gloom that accompanies class and caste disdain, racial oppression and the fatalism of a dead-end —set to a dead-beat — imposed on individuals and a community.
His stories are the mise en scène of melancholia.
“I have always felt that there is a deep vein of melancholia that runs through Chatsworth and which touches the lives of some of its residents,” says Pillay. Read more.
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