Friday, 21 February 2014
Cut Up! An anthology inspired by the cut-up method of William S. Burroughs and Brion Gysin
Coming soon from Oneiros Books, UK. Contains extracts from April in the Moon-Sun by Gary Cummiskey and a cut-up letter by Sinclair Beiles. Read more here
Sunday, 16 February 2014
Friday, 07 February 2014
Friday, 31 January 2014
Wednesday, 29 January 2014
A short review of Off-ramp, by Catfish McDaris
It was Alfred Hitchcockish, Twighlight Zoneish, with a
bit of Beat/Meat. Burroughs, Buk sort of influenced, but definitely your own
voice. I liked the ending of the last story, maybe some folks got upset with
too much anal, fuck them, you wrote what you felt. I could say this reminded me
of French & British films or stories, not American or Hollywood. Some of
the endings I might have done differently, but I'm an American & I respect
your South African voice. I know you're well read & everything we come
across sort of stick in our minds. My favorite story was the guy finding the
bomb on the bus.
Labels:
Catfish McDaris,
Dye Hard Press,
Gary Cummiskey,
Off-ramp
Provocative flash fiction: a review of Off-ramp by Kyle Allan
Read more here
Labels:
Dye Hard Press,
Gary Cummiskey,
Kyle Allan,
Off-ramp,
The Witness
Thursday, 23 January 2014
Friday, 17 January 2014
Wednesday, 08 January 2014
L'oeil d'Horus
Check out the excellent blog of French poet and collagist Bruno Sourdin - collages, poetry, essays and interviews.
Sunday, 29 December 2013
Aryan Kaganof's review of Off-ramp
first published here
Labels:
Aryan Kaganof,
Dye Hard Press,
Gary Cummiskey,
Off-ramp
Interview with Gary Cummiskey on Ppigpenn
Age? 50.
Location? Johannesburg, South Africa.
How long have you been writing? I wrote my first
short story, about Mary, Queen of Scots, when I was 11. I wrote my first poem,
influenced by Fleetwood Mac’s Albatross, aged 14 – it was about a dying
albatross. I have been writing ever since.
Read more here
Labels:
Dye Hard Press,
Gary Cummiskey,
Ppigpenn
Saturday, 14 December 2013
Tuesday, 10 December 2013
Kobus Moolman's Left Over reviewed by Sheila Black
Left Over (Dye Hard Press, 2013) by Kobus Moolman is the kind of book that takes you by the scruff of the neck and shakes you. These are poems to wake you up. Well-known in his native South Africa, Kobus Moolman deserves to be better known and better read here. Lyric, vigilant, hyper-alert to the surfaces, textures and sensations of the physical world, the poems in Moolman's sixth collection are beautiful and dangerous, a meditation on the fraught and even perilous relationship of mind and body...Read more here
Labels:
Dye Hard Press,
Kobus Moolman,
Left Over,
Sheila Black,
Wordgathering
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