When you scan the title of this volume, you make an important discovery: the personal pronoun is unstressed, and that is the key to appreciating a remarkable poet. The stressed parts are the two birds and the window. The birds symbolise the world and the soul; the window is the threshold, the veil, where art and nature merge. Horwitz is a poet of what Keats called “gusto”, that is a recognition of the necessity of opposites, as binaries (the world) and as paradoxes (the soul).
The first poem, “Mzansi, my Beginning – Mzansi, my End”, alludes to Allen Ginsberg – another Jewish poet a long way from his spiritual home in the desert where you lose yourself to find yourself....Read more here
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