Number of Participants Worldwide Growing Daily
650 events in 450 cities and 95 countries will take place on September 24 to promote environmental, social, and political change. Poets, writers, artists will create, perform and demonstrate in their communities, and decide their own specific area of focus for change within the framework of peace and sustainability, which founder Michael Rothenberg stated, “…is a major concern worldwide and the guiding principle for this global event.”
Bob Holman and Margery Snyder, in a recent article on About.com said, “the beauty of the concept of 100 Thousand Poets for Change is that it is completely decentralized and completely inclusive.” All those involved
are hoping, through their actions and events, to seize and redirect the political and social dialogue of the day and turn the narrative of civilization towards peace and sustainability.
Poetry demonstrations are being organized in political hotspots such as Madison, Wisconsin and Cairo, Egypt. Poetry and peace gatherings are planned in strife-torn Kabul and Jalalabad.
In Mexico there are over 30 events, with 18 poetic actions in Mexico City, where poets as well as environmental and political activists are hoping to encourage reflection and creative responses against systemic violence through the written and the spoken word with day long street events, readings and workshops. More than a third of these events are organized by collectives actively working towards a non-violent approach to solve the country's most pressing problems.
To date there are over 260 events in the United States. There are 20 events statewide in North Carolina where teacher/poets have mobilized to protest cuts in education funding. And along the Platte River near Omaha, Nebraska, poets will be demonstrating against TransCanada’s planned Keystone XL tar sands pipeline. More examples of events can be found at the 100 Thousand Poets for Change www.100TPC.org. Each event organizer has an Event Location blog page on the website for posting, poetry, artwork, photos, and video to document this global mega-event across national borders.
Immediately following September 24th all documentation on the 100TPC.org website will be preserved by Stanford University in California, which has recognised 100 Thousand Poets for Change as an historical event, the largest poetry reading in history. They will archive the complete contents of the website, 100TPC.org, as part of their digital archiving program LOCKSS.
Founder Michael Rothenberg is a widely known poet, editor of the online literary magazine Bigbridge.org and an environmental activist based in Northern California.
For information contact: http://www.100TPC.org
Contact: walterblue@bigbridge.org
Phone: 305-753-4569
Showing posts with label Big Bridge. Show all posts
Showing posts with label Big Bridge. Show all posts
Sunday, 11 September 2011
Sunday, 02 August 2009
Beauty Came Grovelling Forward: a selection of South African poetry and prose at Big Bridge
The work contained in this Big Bridge feature is by no means a wide representation of contemporary South African writing. It is rather a bringing together of some writers whose work I respond to, and there are many fine writers whose work is not included. It is therefore not a general "anthology of South African writing". It is nevertheless hoped the selection will give readers an insight into the diversity of creative voices in South Africa; a diversity that is in part reflective of the multicultural nature of South African society.
The voices range from established names such as Kobus Moolman and Kelwyn Sole, to newer ones such as Neo Molefe Shameeyaa. There is the performance-orientated work of Richard Fox and Mphutlane wa Bofelo, and the socio-political voice of Vonani Bila. There are mavericks such as Aryan Kaganof and Goodenough Mashego, and the subjective lyricism of Alan Finlay and Mxolisi Nyezwa. There are also several women represented: Arja Salafranca, Haidee Kruger, Janet van Eeden, Megan Hall, Colleen Higgs, Makhosazana Xaba and Neo Molefe Shameeyaa.
The short fiction selection is only a handful of pieces, but again it is hoped they will indicate the diversity of short fiction writing in South Africa: from the poetic prose of Haidee Kruger and fantasy of Silke Heiss, to the playfulness of Liesl Jobson. There are the parables of Allan Kolski Horwitz and the exploration of relationships in the realistic work of Colleen Higgs and Arja Salafranca. Pravasan Pillay's story is a sensitive study of early adolescence while Gary Cummiskey's surreal horror story touches on issues central to a historically divided society: isolation, the Other, uncertainty and violence.
The voices range from established names such as Kobus Moolman and Kelwyn Sole, to newer ones such as Neo Molefe Shameeyaa. There is the performance-orientated work of Richard Fox and Mphutlane wa Bofelo, and the socio-political voice of Vonani Bila. There are mavericks such as Aryan Kaganof and Goodenough Mashego, and the subjective lyricism of Alan Finlay and Mxolisi Nyezwa. There are also several women represented: Arja Salafranca, Haidee Kruger, Janet van Eeden, Megan Hall, Colleen Higgs, Makhosazana Xaba and Neo Molefe Shameeyaa.
The short fiction selection is only a handful of pieces, but again it is hoped they will indicate the diversity of short fiction writing in South Africa: from the poetic prose of Haidee Kruger and fantasy of Silke Heiss, to the playfulness of Liesl Jobson. There are the parables of Allan Kolski Horwitz and the exploration of relationships in the realistic work of Colleen Higgs and Arja Salafranca. Pravasan Pillay's story is a sensitive study of early adolescence while Gary Cummiskey's surreal horror story touches on issues central to a historically divided society: isolation, the Other, uncertainty and violence.
Labels:
Big Bridge,
fiction,
poetry
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